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In David Fincher’s Mank, Messerschmidt recreated a Golden Age of Hollywood in black-and-white. And that nighttime sequence with the flairs? Insane. Oscars 2021: Best Makeup and Hairstyling Predictions.
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Unlike something like Birdman, Deakins was shooting almost entirely on locations here, and that he was able to make the image gorgeously cinematic across the entire film is a testament to the wizardry of his talent. Roger Deakins’ cinematography is masterful, not just in executing the “one-shot” thing, but in how he uses light and shadow to beautiful results under these impossible conditions. Cinematographer Alexander Dynan and director Paul Schrader reteam to further explore the transcendental style. Sam Mendes’ World War I thriller plays out in one continuous shot, as we follow two soldiers who must traverse enemy territory to deliver a vitally important message. Answer (1 of 23): I’ve seen a lot of great answers on this list with perennial favorites like Roger Deakins and Emmanuel Lubeski, as well as classic masters such as Gordon Willis, James Wong Howe, and Vittorio Storaro. The definition of New Hollywood varies, depending on the. I genuinely cannot work out how it was done. In New Hollywood films, the film director, rather than the studio, took on a key authorial role. It’s not often I see something and am befuddled as to how, exactly, that cinematic feat was pulled off, but the wonderment factor of 1917 is off the charts. I watch a lot of movies, and I’ve been watching a lot of movies for a very long time.